Panels & Activities
EXNW Ball + Awards Ceremony
- Grand Ballroom, Westin Bayshore Hotel (map)
- Google Calendar ICS
The EXNW Ball is an evening of unwavering pride, bold excellence, and undeniable style. This signature tribute honours brilliant, racialized creatives - past, present, and rising whose visions continue to shape and transform tech, entertainment, and media.
Their impact is global. Their influence is lasting. Their legacy is the foundation for what comes next.
Last year’s impromptu slam poetry of “My Slanted Eyes” by Ins Choi, creator of KIM’S CONVENIENCE and EXNW2025 Global Connector Honouree brought the room to their feet to cheers and to tears! This is a “Can’t Miss" event! Expect a room alive with confidence, creativity, and cultural power. This is where presence matters, where our stories carry weight, and where the future is not imagined but embodied.
Step onto the EXNW Purple Carpet and be swept up by the brilliance of the talent and elegant style of creators, changemakers, and cultural icons. With unforgettable performances, notable guests, and a room charged with next generation creative force, The EXNW Ball is more than a gathering. It is culture in motion, dressed in elegance and illuminated by possibility.
Step into the moment. Show up in your power. This is your night to witness and to be seen.
Be there. Be Present.
✭ Dress Code: Gala Attire
EXNW Global Connector Award
This year, we proudly present the EXNW Global Connector Award to five groundbreaking racialized creatives whose work has transcended borders and sparked global impact. Their stories inspire, their reach empowers, and their presence redefines what’s possible.
A tribute to legacy. A celebration of now. A signal of what is next. The EXNW Ball is where racialized stories take centre stage, communities converge, and the night belongs to those defining the future.
Entertainment—Featuring Rags 2 Richmond
In a special live presentation, EXNW proudly presents Rags 2 Richmond: Live at the EXNW Ball!
Featuring cast members from the upcoming feature film—including Jonathan Wong, Leslie Kwan, Michael Delleva, Tony Giroux, and Howie Lai—alongside special guests Oseic Chau and Kristina Lao, this one-night-only musical performance offers an exclusive first look into the vibrant, pageant-filled world of Richmond, BC. Choreography by Joe Tuliao.
EXNW Ball Chair
EXNW Ball MC Co-Hosts
Director, KandyMac Productions
Kandyse McClure is a South African-born Canadian actress and producer, known for her roles in Battlestar Galactica, Hemlock Grove, and currently Virgin River (Netflix), where she plays Kaia Bryant. She serves as Secretary of the New West Film Society supporting the organization’s year-round programming and its annual New West International Film Festival.
She is honored to return as Co-Chair of East by Northwest Summit this year, having presented the EXNW Global Connector Award to Grace Park at last year’s EXNW Ball.
Actor, Writer
Born in Los Angeles, USA, raised in Vancouver, Canada, and educated in Sheffield, U.K., it's safe to say Ryan's international experiences helped shape the actor he is today. Growing up in Vancouver, Ryan's life revolved around being a well-rounded individual, focusing on academics, music, and sports. In the end, his career trajectory took him to medical school in England, where he eventually graduated with a Bachelor of Medical Sciences. However, his childhood dream of acting never truly died.
Returning home after five years abroad, Ryan used the change in scenery to pursue the things that interested him the most as a kid. Then, at the beginning of 2015, after a brief foray into the fashion industry, that passion began to bloom. From that point on, Ryan has been acting non-stop, appearing in various TV shows, films, commercials, and stage performances.
In addition to acting, Ryan now finds his talents extending to areas behind the camera, where he has shown a proclivity for writing, directing, and producing. Those skills combined with his desire to tell and uplift important diverse stories, prove why Ryan is an award-winning, multi-hyphenate filmmaker to watch.)
Global Connector Award Honorees
Chairperson & CEO, Film Development Council of the Philippines
Jose Javier Reyes is a multi-awarded producer, director, writer, and academician, currently serving as Chairman and CEO of the Film Development Council of the Philippines. He previously served as Chairman of the Film Program at the School of New Media Arts at De La Salle-College of Saint Benilde (2018–2024) and as Chairman of the Competition and Monitoring Committee of the Cinemalaya Independent Film Festival, the Philippines' premier festival for independent cinema.
Reyes is also a member of the Education Committee of the Metro Manila Film Festival and formerly served as Creative Consultant for Regal Entertainment. A recipient of Best Director and Best Writer honors from major Philippine award-giving bodies, he received the Writers Union of the Philippines Lifetime Achievement Award in 2020 and the National Book Award for Nonfiction in 2006. He remains an active producer, writer, director, and educator.
Elder-in-Residence at UBC’s First Nations House of Learning
Elder Larry Grant is of mixed Chinese and xʷməθkʷəy̓əm (Musqueam) ancestry and is a respected Elder, educator, cultural knowledge keeper, and language advocate. For decades, Larry has worked to preserve and share the interconnected histories between Indigenous and Chinese communities in British Columbia, ensuring these relationships are remembered and passed on to future generations.
His life story and bridge-building work are featured in the film All Our Father’s Relations (2016 and his co-authored book Reconciling: A Lifelong Struggle to Belong (2025), exploring identity, belonging, and the shared histories connecting Musqueam and Chinese Canadian communities.
Larry serves as Elder-in-Residence at UBC’s First Nations House of Learning, is an adjunct professor with UBC’s First Nations and Endangered Languages Program, and serves Musqueam as Language and Culture Consultant. Through storytelling, teaching, and cultural leadership, he continues to build bridges between Indigenous and Asian communities.
Chair, CISF for BPOC Creators
Lalita is an award-winning documentary producer and long-time advocate for equity and representation in the screen sector. Her films have screened internationally and sparked important conversations around social change. She serves as Chair of the Canadian Independent Screen Fund for BPOC Creators, supporting high-impact programs that address gaps in the funding ecosystem. Lalita has received numerous awards for both her productions and her commitment to mentoring and supporting the next generation of diverse Canadian storytellers.
Prem Gill is a Vancouver-based entertainment leader championing creators, IP and inclusive storytelling. After a decade as CEO of Creative BC, she stepped down in June 2026, leaving a stronger creative economy spanning screen, music, digital media and publishing. Under her leadership, B.C.’s creative industries contributed $7.4B to GDP; motion picture reached $3B annually. Honoured with Reelworld’s 2025 Visionary Award and The Hollywood Reporter rankings, including Most Powerful Women in Canadian Entertainment, she is Bell Fund Vice-Chair.
Actor, Director, Writer, Producer
Actor, director, and writer Randall Park is best known for his work as: Louis Hwang on ABC’s groundbreaking sitcom Fresh Off The Boat; Jimmy Woo in Marvel’s Ant Man and The Wasp and Wandavision; and as “Asian Jim” from the iconic cold open of The Office. Randall co-wrote, produced and starred in the critically-acclaimed Netflix romantic comedy Always Be My Maybe with his long time friend Ali Wong. He also played Kim Jong Un in the controversial Seth Rogen comedy The Interview. He is a Los Angeles native and a proud UCLA Bruin.
Global Connector Award Presenters
RESO Operations Manager; EXNW Summit Manager
With over 15 years of experience in the medical and legal fields and a dedication for racial equity, Caitlin brings a wealth of administrative expertise to RESO. Beyond her professional roles, Caitlin has a deep passion for the arts, and is actively engaged in Vancouver's arts scene as an actor, improviser, and writer.
Documentary Filmmaker & Community Historian
Sarah Ling is a documentary filmmaker, curator, and community historian with a research background in Chinese Canadian and First Nations relations. She was lead producer of the award-winning film All Our Father's Relations. She was selected for the 2025-2026 Telus Storyhive Pan-Asian Storyteller Program for which is directing China Lily Nation. Sarah serves as President of the British Columbia Historical Federation and as a Director for the Vancouver Historical Society. She is the co-founder of Chinatown Wonders.
VP Industry Development, Canada Media Fund
Joy Loewen is the Vice President, Industry Development at the Canada Media Fund, overseeing inclusion and growth strategies. She was previously CEO of the National Screen Institute and a founding member of the Women’s Television Network. Based in Winnipeg, she holds a bachelor’s degree from Toronto Metropolitan University.
Joy was named Playback Canada’s 2023 Changemaker of the Year, and in 2024 was awarded East by Northwest’s Global Connector Award and Women in Film and Television’s Special Jury Award of Distinction.
CEO, Canadian Media Producers Association (CMPA)
Liz Shorten is Chief Operating Officer of the Canadian Media Producers Association (CMPA), where she leads organizational operations and strategic implementation across its offices in Ottawa, Toronto and Vancouver. With more than 25 years of experience in the film, television and digital media sectors, she has held senior leadership roles at Ontario Creates, Creative BC and CBC Television. A respected industry leader, Liz currently serves as Chair of REEL CANADA and Vice Chair of Screen BC. She was also a founding board member of the Pacific Screenwriting Program and co-founder of Women in View. Her contributions have earned her recognition as one of Business in Vancouver's Top 500 Business Leaders, The Hollywood Reporter's Top Canadian Women Leaders in Entertainment, and a recipient of the King Charles III Coronation Medal.
Actor, Writer, Filmmaker
Diana Bang is a Korean-Canadian actor, writer, and filmmaker based in Vancouver. She began her career in performance and writing as a founding member of the acclaimed Asian Canadian sketch comedy troupe Assaulted Fish. Since then, she has expanded her creative practice into filmmaking, co-writing and co-directing several short films with her sister, Andrea Bang. As an actor, her screen credits include Resident Alien (Syfy), Y: The Last Man (FX), and The Interview (Sony).
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Creative BC is an independent non-profit society created and supported by the Province to sustain and help grow British Columbia’s creative sector, comprised of five distinct industries: motion picture, interactive digital media, music and sound recording, and both book and magazine publishing. The organization acts as an economic development agency with programs and services that expand B.C.’s creative economy, including: home of the BC Film Commission; administrator of provincial motion picture tax credit programs; administrator of funding programs; and provider of strategic business attraction, export, and research in support of the sector.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
Ontario Creates is an agency of the provincial government whose mandate is to be a catalyst for economic development, investment and collaboration in the film, television, music, book, magazine, and interactive digital media sectors, both domestically and internationally. Ontario Creates supports the film and television industries through a variety of programs, events, and funds. The Agency also administers tax credits on behalf of the provincial government: Ontario Production Services Tax Credit (OPSTC); Ontario Film and Television Tax Credit (OFTTC); and the Ontario Computer Animation and special Effects Tax Credit (OCASE).
Royal Bank of Canada is a global financial institution with a purpose-driven, principles-led approach to delivering leading performance. Our success comes from the 101,000+ employees who leverage their imaginations and insights to bring our vision, values and strategy to life so we can help our clients thrive and communities prosper. As Canada’s biggest bank and one of the largest in the world, based on market capitalization, we have a diversified business model with a focus on innovation and providing exceptional experiences to our more than 19 million clients in Canada, the U.S. and 27 other countries. Learn more at rbc.com.
We are proud to support a broad range of community initiatives through donations, community investments and employee volunteer activities. See how at rbc.com/peopleandplanet.
The CMPA is Canada’s trade association for independent producers, representing companies engaged in the development, production and distribution of English-language content for TV, feature film and digital media channels. https://cmpa.ca/
EXNW Ball Reception & Purple Carpet Photos
- Grand Foyer (map)
- Google Calendar ICS
Step onto the purple carpet and into an evening charged with style, energy and connection. The Pre-ball reception is the perfect prelude to the EXNW Ball, where trail blazers gather to spark connection and creativity. Strike a pose on the purple carpet, enjoy a drink and immerse yourself in an atmosphere buzzing with possibility. This exclusive evening event is your chance to celebrate, mingle, and make memories.
In Conversation with Randall Park
- EXNW Stage (map)
- Google Calendar ICS
Join acclaimed actor, writer, director, and producer Randall Park for an intimate conversation about a career spanning more than 150 film and television credits. From his breakout role as Louis Huang on Fresh Off the Boat and fan-favorite appearances as Jimmy Woo in the Marvel Cinematic Universe, to co-writing and starring in the hit Netflix film Always Be My Maybe, Park has become one of the most recognizable and versatile talents working today. He is also widely remembered as “Asian Jim” from one of The Office’s most iconic cold opens. This conversation will also explore the evolution of Asian male characters across his career, and how shifting representation in Hollywood has changed the kinds of stories, roles, and opportunities available to a new generation of performers.
Moderated by Julie Kim, an international headliner and one of Canada’s top comedians, known for sharp, joyful comedy about family, identity, ambition, parenting, and everyday chaos.
Actor, Director, Writer, Producer
Actor, director, and writer Randall Park is best known for his work as: Louis Hwang on ABC’s groundbreaking sitcom Fresh Off The Boat; Jimmy Woo in Marvel’s Ant Man and The Wasp and Wandavision; and as “Asian Jim” from the iconic cold open of The Office. Randall co-wrote, produced and starred in the critically-acclaimed Netflix romantic comedy Always Be My Maybe with his long time friend Ali Wong. He also played Kim Jong Un in the controversial Seth Rogen comedy The Interview. He is a Los Angeles native and a proud UCLA Bruin.
Moderated by:
Comedian
Julie Kim is an international headliner and one of Canada’s top comedians, known for sharp, joyful comedy about family, identity, ambition, parenting, and everyday chaos. She has performed at major festivals across North America and abroad, including Just For Laughs, Melbourne International Comedy Festival, Halifax Comedy Festival, Winnipeg Comedy Festival, and more. A Canadian Screen Award-winning performer and writer, Julie has toured nationally with Rick Mercer’s Stand-Up for Canada and is a regular on CBC’s The Debaters.
Royal Bank of Canada is a global financial institution with a purpose-driven, principles-led approach to delivering leading performance. Our success comes from the 101,000+ employees who leverage their imaginations and insights to bring our vision, values and strategy to life so we can help our clients thrive and communities prosper. As Canada’s biggest bank and one of the largest in the world, based on market capitalization, we have a diversified business model with a focus on innovation and providing exceptional experiences to our more than 19 million clients in Canada, the U.S. and 27 other countries. Learn more at rbc.com.
We are proud to support a broad range of community initiatives through donations, community investments and employee volunteer activities. See how at rbc.com/peopleandplanet.
Finding the Ideal Co-Production Project: Horror, Action & Comedy
- EXNW Stage (map)
- Google Calendar ICS
Not every film is suited for international co-production, so what makes the ideal candidate? This panel brings together experienced producers to explore the creative, financial, and market considerations that determine whether a project is a strong fit for collaboration, using horror, action, and comedy as case studies and spotlighting the growing partnership between Canada and the Asia Pacific region. Panelists will discuss why genre films are particularly well suited to this pairing: producers can localize and produce at lower cost across Asia Pacific markets, testing a project's reception before committing to a full English-language adaptation once results prove strong, allowing genre stories to transcend cultural and language barriers while giving each partner meaningful creative and production value. Through real-world examples, the discussion examines how successful genre projects are developed, financed, packaged, and positioned for both local audiences and international distribution.
Producer of Global Business, Big Ocean ENM
Jaeyoung Jen Park is a Producer on the Global Business team at Big Ocean ENM, a Seoul-based entertainment company behind OUR BELOVED SUMMER, FLEX X COP, and TOMORROW. She works across international co-productions and co-developments, connecting Korean content with partners and audiences worldwide. Her experience includes K-culture documentaries, BEEF Season 2, a K-pop feature with Nemsia Studios in Nigeria and more. Her team's global projects span across Japan, the U.S., the U.K., Hong Kong, Southeast Asia, and Nigeria.
Owner / Managing Director, Wave Films
Jerry Koedding is a Germany-born, Singapore-based producer and founder of Wave Films, a cross-border production company operating across Singapore, Malaysia, the Philippines, the UK, and Canada. Since 2012, he has produced 400+ hours of content for international broadcasters and streamers, with his Malay-language feature debut among Suria's highest-rated broadcasts. He is now developing a trans-Pacific genre film slate with active Canadian productions.
CEO, Mokster Films
With over 27 years of experience, Nelson Mok is an accomplished leader in the Asian film industry. Formerly with Golden Harvest, Warner Bros, and WME Independent, he has held pivotal roles in distribution, acquisition, international sales and now producing. As co-founder of Mokster Films, Nelson focuses on developing, financing, and selling high-profile content. His track record includes global hits like "More Than Blue" and the record-breaking "How to Make Millions Before Grandma Dies."
Executive Producer & Head of Development, Inferno Pictures
Sami is committed to championing bold, genre-forward storytelling and underrepresented voices across both Canadian and international markets.
Sami Tesfazghi is a film and television producer and Head of Development at Inferno Pictures, based in Winnipeg, Manitoba. His feature film credits include the Netflix thriller How It Ends and The Parts You Lose, co-produced with Gran Via and producer Mark Johnson. His television credits include the critically acclaimed CBC/BET+ period drama The Porter, and Inferno Pictures recently wrapped production on a new limited series for CBC.
Currently in active development, Sami is producing the television adaptation of the critically acclaimed graphic novel CHEW, in partnership with Atomic Monster and Blumhouse, with Randall Park attached to star and produce. He is also developing a female-led dark comedy procedural set up at MGM and Amazon Studios, which takes audiences into the criminal underbelly of wine country.
Moderated by:
President, Black Opiate Entertainment
Karen has worked full-time in the film and television industry since 1996. Starting as a producer and lawyer, Karen has written and directed ten short films, three music videos, directed a true-crime documentary series for Investigation Discovery (US), a TELUS web series, and five feature films. The most recent two films: “Armageddon Road” is a darkly comedic feature film set in 1970s Las Vegas (2026) and “Mrs. Chang’s Perfect Teeth,” a short horror film that played at VAFF (2025).
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Creative BC is an independent non-profit society created and supported by the Province to sustain and help grow British Columbia’s creative sector, comprised of five distinct industries: motion picture, interactive digital media, music and sound recording, and both book and magazine publishing. The organization acts as an economic development agency with programs and services that expand B.C.’s creative economy, including: home of the BC Film Commission; administrator of provincial motion picture tax credit programs; administrator of funding programs; and provider of strategic business attraction, export, and research in support of the sector.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
The Attention Economy: How Vertical Worlds and Branded Content Build Global Audiences
- Gold Stage (map)
- Google Calendar ICS
Entertainment is no longer defined by a single screen, format, or business model. Mobile-first platforms, vertical dramas, creator-led content, branded entertainment, and AI-powered production are transforming how stories are developed, discovered, and monetized. As audiences shift their viewing habits, creators must rethink not only how they tell stories, but how they build audiences and sustainable businesses around them. This panel brings together leaders in vertical storytelling, platform strategy, digital audience growth, and global media to explore the convergence of creative innovation and commercial opportunity.
Speakers will examine why microdramas have become one of the fastest-growing entertainment formats, how platforms use audience insights to shape content, and how vertical storytelling can serve as a testing ground for new ideas, characters, and intellectual property with the potential to expand into film, television, and other formats. The discussion will also explore how creator ecosystems, educational media, branded partnerships, and cross-border strategies are creating new pathways for audience growth, financing, distribution, and global revenue opportunities. Attendees will gain practical insights into building audiences, creating sustainable content models, and developing stories that can travel across platforms and global markets.
Director, AylexTV Inc. / Aylex Academies
Aylex Academies is on a mission to make world-class education free for everyone. Through our growing portfolio of YouTube channels spanning golf, badminton, pickleball, piano, tennis, and beyond, we bring expert coaching to over 20 million learners worldwide. Built on a simple teacher-and-student format, we turn complex skills into clear, accessible lessons with no tuition, no barriers. Our vision is bold: 100+ channels delivering free education across every discipline, so anyone with curiosity can learn from the best.
CEO of Crave Global Inc.; EVP & Business Head, CreAsia Studio, a Banijay company
Charles Kim is the Founder and CEO of Crave Global, the first end-to-end platform built to convert Western celebrity influence into transactional revenue across China and the broader Asian market. He has spent more than two decades structuring cross-border capital and partnerships between the United States and Asia, with over 100 syndicated transactions across Korea, Japan, and China. His expertise spans asset finance, project finance, private equity, M&A, capital markets, and sales and trading, with strength in special situations that demand creative deal structuring. He is known for negotiating, establishing, and scaling international joint ventures in emerging markets, supported by an extensive network of banks and institutional investors across Asia.
Director, Lumberwitch Films
Dom Cutrupi is an Italian-Canadian director, screenwriter, and producer. In 2024, he began directing for the fast-growing vertical series format and has since directed around 30 verticals. His micro-drama Mafia’s Tender Torture became the most-watched vertical series in the world (outside of China) in 2025. His work includes series for ReelShort, DramaBox and DramaWave, establishing him as a leading voice in vertical storytelling.
Project Manager, Reelshort Canada, Crazy Maple Studios
As an experienced creator and writer, Keri Lee was invited to join Crazy Maple Studio soon after first publishing in 2018. Since then, she has worn many hats, notably in the past as their Community Stories Manager, curating and empowering a community of writers, and then as Director of Creative Strategies. Currently, she is the Canadian Reelshort Project Manager, with a focus on co-productions and brand integration.
Moderated by:
Director, Interactive, Digital, and Emerging Media, Canada Media Fund
Based in Vancouver, Janine is an experienced media producer and arts administrator with a focus on digital strategy and immersive technologies. She will help develop policy and programs to ensure the CMF’s mandate is fulfilled in consistency with the distinctiveness of Canada’s IDM market. Prior to joining the CMF, Janine held senior roles provincially with Creative BC and federally with the National Film Board of Canada (NFB). While at the NFB, she was responsible for all their digital products and platforms, and managed award-winning collaborations with key partners, such as Google, the Guardian, imagineNATIVE, and VICE Media. Most recently, Janine was a programs manager at Creative BC, responsible for the Domestic Motion Picture Fund and the Interactive Fund. In that role, she designed several industry-leading funding programs, including the first digital media funding available in BC, and the first targeted funding for equity seeking motion picture creators in BC.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
The Canadian Independent Screen Fund for BPOC Creators (CISF) is Canada's only national fund dedicated to supporting Black and racialized creators by filling strategic gaps in the funding ecosystem and helping production companies build capacity, scale their operations, and access new market opportunities.
The Independent Production Fund supports Canadian creators, writers, and producers by providing development and production financing for narrative television and short form series.
The Great Financing Reset: Inside the New Deal-Making Economy
- EXNW Stage (map)
- Google Calendar ICS
☛ FINANCE SUPER PANEL ☚
In today's screen industry, there is no longer a single path to getting a project made. As broadcasters scale back, streamers become more selective, and production costs continue to evolve, producers must navigate an increasingly complex financing landscape to assemble projects through a strategic mix of public funding, tax incentives, private equity, international co-productions, pre-sales, service financing, strategic partnerships and emerging sources of capital.
This fast-paced, deal-room style conversation brings together leaders from every stage of the financing ecosystem, the panel will examine how projects are packaged, financed, de-risked and positioned for production and distribution. From government incentives and private investment to post-production financing, international partnerships and technology-driven efficiencies, panelists will share how multiple sources of capital work together to move projects from concept to completion.
Whether you're developing your first feature, financing a series, or building an international slate, this session offers practical insights into structuring competitive financing strategies, attracting investment, and navigating a screen industry where success depends not on finding a single greenlight, but on building the right financing stack.
CEO, Tunnel
Since transitioning from tech to film in 2000, Alan Pao has established himself as a prolific filmmaker with more than 200 feature film and television credits as a producer, director, writer, editor, VFX artist, and post supervisor. His notable credits include It Follows, Under the Silver Lake, The November Man, and the upcoming Family Movie and The Dreadful. In 2005, Pao founded Tunnel, where he pioneered a proprietary digital intermediate workflow that helped transform the company into a leading full-service production and post-production studio. Today, he oversees operations spanning film financing, visual effects, color correction, post-production sound, and supply chain automation solutions for major studios. In 2024, he founded New Hollywood and Scriptini, AI-powered filmmaking platforms designed to democratize the creative process and empower both emerging and established filmmakers. Pao is a graduate of UCLA and resides in Santa Monica with his cat Link.
CEO/Advisor, Leeding Media/Curtain Call
A veteran strategist with 29 years of experience driving innovation across the global film entertainment landscape, Lee orchestrated high-stakes transactions, including major slate investments (Content Partners), mezzanine financing (The Professor), and global production for Possessor: Uncut and Forbidden Kingdom. He has proven track record in casting (Rogue One, XXX: Return of Xander Cage), project development (Outside the Wire), and the marketing/distribution of major franchises like Divergent, Ghost Rider, Ender’s and a premier library of 500+ exclusive titles.
Chairperson & CEO, Film Development Council of the Philippines
Jose Javier Reyes is a multi-awarded producer, director, writer, and academician, currently serving as Chairman and CEO of the Film Development Council of the Philippines. He previously served as Chairman of the Film Program at the School of New Media Arts at De La Salle-College of Saint Benilde (2018–2024) and as Chairman of the Competition and Monitoring Committee of the Cinemalaya Independent Film Festival, the Philippines' premier festival for independent cinema.
Reyes is also a member of the Education Committee of the Metro Manila Film Festival and formerly served as Creative Consultant for Regal Entertainment. A recipient of Best Director and Best Writer honors from major Philippine award-giving bodies, he received the Writers Union of the Philippines Lifetime Achievement Award in 2020 and the National Book Award for Nonfiction in 2006. He remains an active producer, writer, director, and educator.
Founder & President, Art & Action Productions
Karin is an award-winning producer, the distributor of over 100 titles, and a filmmaker advocate. Recently, she has raised two innovations funds to explore new financing and revenue models for independent storytelling.
Moderated by:
VP, Creative BC
Robert markets British Columbia internationally as a destination of choice for projects and companies seeking a world class creative industries centre in which to do business. In his role, he leads the administration of Creative BC’s tax credit and granting programs, balancing attraction of international business with support for BC’s domestic content creators.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Creative BC is an independent non-profit society created and supported by the Province to sustain and help grow British Columbia’s creative sector, comprised of five distinct industries: motion picture, interactive digital media, music and sound recording, and both book and magazine publishing. The organization acts as an economic development agency with programs and services that expand B.C.’s creative economy, including: home of the BC Film Commission; administrator of provincial motion picture tax credit programs; administrator of funding programs; and provider of strategic business attraction, export, and research in support of the sector.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
Ontario Creates is an agency of the provincial government whose mandate is to be a catalyst for economic development, investment and collaboration in the film, television, music, book, magazine, and interactive digital media sectors, both domestically and internationally. Ontario Creates supports the film and television industries through a variety of programs, events, and funds. The Agency also administers tax credits on behalf of the provincial government: Ontario Production Services Tax Credit (OPSTC); Ontario Film and Television Tax Credit (OFTTC); and the Ontario Computer Animation and special Effects Tax Credit (OCASE).
Collaborating with South Korea - Series, Movies, Music & Media
- Gold Stage (map)
- Google Calendar ICS
From the global rise of K-pop to the international success of K-dramas, films, and digital content, South Korea has become one of the most influential creative forces in global entertainment and IP development. This session brings together speakers whose experience spans pioneering Korea's global music exports, leading international content partnerships and co-productions, and developing globally successful entertainment formats and cross-market business strategies. Together, they will explore how global partners can effectively collaborate with Korean studios, labels, and content companies. The discussion will examine how Korea’s creative and production ecosystem differs from North America, how IP is developed for global success, and how Korean companies strategically connect with international markets across television, film, music, and digital platforms. Speakers will share practical insights into partnership models, cultural considerations, financing approaches, and the realities of working with one of the world’s most dynamic and export-driven entertainment industries.
President/Founder, DFSB Kollective
Founder of Korea’s 1st independent music artist & label services agency • Chief Representative of one of the first and foremost Korean music exporters to top international DSPs (Digital Service Providers) such as Apple Music, Spotify, YouTube Music, Amazon Music, Deezer, TIDAL, Tencent Music Entertainment, NetEase Cloud Music, TikTok, Meta, and more • Executive Producer of Korean music showcases and Featured Speaker on Korean music trends at top international music industry conferences in North America (SXSW), Asia-Pacific (Music Matters), and Europe (MIDEM) • Special Project Consultant for international advertising/PR agencies (RGA/Octagon/MSL Group), video game developers (Ubisoft/Riot Games/Rockstar Games), and movie/documentary production studios (A24/YouTube Originals/Vice Media/Sony Pictures Animation) • Frequent Media Analyst of Korean pop culture industry trends for international/local TV, radio, magazine, and newspaper outlets • MusicTech Mentor at SparkLabs startup accelerator • Former Creative Planner, TV Producer/Presenter, and Head of Digital Media Production at MTV Korea • Dartmouth College (BA Government/Asian Studies) • Vancouver Film School (Foundation Film Program).
Producer of Global Business, Big Ocean ENM
Jaeyoung Jen Park is a Producer on the Global Business team at Big Ocean ENM, a Seoul-based entertainment company behind OUR BELOVED SUMMER, FLEX X COP, and TOMORROW. She works across international co-productions and co-developments, connecting Korean content with partners and audiences worldwide. Her experience includes K-culture documentaries, BEEF Season 2, a K-pop feature with Nemsia Studios in Nigeria and more. Her team's global projects span across Japan, the U.S., the U.K., Hong Kong, Southeast Asia, and Nigeria.
Manager, CJ ENM
Currently, KayLynn is CJ CJM Music Global Business Manager focused on global business development, localizing show formats for the West (North/South America, MENA, Europe), and designing new entertainment projects for linear channels and OTT platforms. Previously she was CJ ENM Senior Associate Producer in New Business Development and IP production, leading large-scale entertainment formats including PRODUCE 101 JAPAN. Contributed to launching and positioning artist groups such as JO1, INI, and ME:I, each achieving consistent million-unit sales and strong commercial success across domestic and international markets.
Moderated by:
Actor, Writer
Born in Los Angeles, USA, raised in Vancouver, Canada, and educated in Sheffield, U.K., it's safe to say Ryan's international experiences helped shape the actor he is today. Growing up in Vancouver, Ryan's life revolved around being a well-rounded individual, focusing on academics, music, and sports. In the end, his career trajectory took him to medical school in England, where he eventually graduated with a Bachelor of Medical Sciences. However, his childhood dream of acting never truly died.
Returning home after five years abroad, Ryan used the change in scenery to pursue the things that interested him the most as a kid. Then, at the beginning of 2015, after a brief foray into the fashion industry, that passion began to bloom. From that point on, Ryan has been acting non-stop, appearing in various TV shows, films, commercials, and stage performances.
In addition to acting, Ryan now finds his talents extending to areas behind the camera, where he has shown a proclivity for writing, directing, and producing. Those skills combined with his desire to tell and uplift important diverse stories, prove why Ryan is an award-winning, multi-hyphenate filmmaker to watch.)
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
The Independent Production Fund supports Canadian creators, writers, and producers by providing development and production financing for narrative television and short form series.
Lightning Talk 4 – The Mosquers' Toolkit for Inclusive Practices
- EXNW Stage (map)
- Google Calendar ICS
Join the Mosquers team for a preview session ahead of the launch of their Inclusivity Guide, coming this September. This short presentation shares current research findings on accessibility, inclusion, and culturally responsive practices within the Canadian audiovisual sector. The session will also feature a case study with a Muslim artist, highlighting lived experiences in the industry. Designed as a lead-up to the guide’s launch, it offers insight into practical challenges and emerging recommendations for more equitable screen industry environments.
Executive Director, Mosquers Film Festival
Based in Amiskwaciwâskahikan (Edmonton) on Treaty 6 territory, Rhia Aden is a filmmaker, programmer, and screen sector leader committed to amplifying Muslim and other underrepresented voices in film. As Executive Director of the Mosquers Film Festival, she champions Muslim and BIPOC storytelling while creating opportunities for emerging creatives. Previously, she managed talent development at the British Film Institute. Rhia also advises the Canadian Independent Screen Fund's Audience Development Program and recently completed her debut narrative short film, The Eldest Daughter.
Program Manager, Mosquers Film Festival
Roha Hena is a Toronto-based filmmaker, multidisciplinary storyteller, and arts programmer. Her first short documentary on Toronto’s early Muslim communities won the Audience Choice Award at the Muslim Media Hub Showcase. She recently completed More Chai Please, her narrative short directorial debut. As Program Manager at the Mosquers Film Festival, she developed the festival’s inaugural fellowship for BIPOC creatives and now leads research on equitable representation in the Canadian screen industry.
The Mosquers Film Festival is a nonprofit arts organization based in Edmonton, Canada, dedicated to transforming how Muslims are represented through film, storytelling, and creative expression. Since its founding in 2006, the festival has grown into an internationally recognized platform that showcases authentic Muslim stories, celebrates diverse voices, and fosters dialogue through film screenings, performances, panels, and industry programming, creating opportunities for artists and audiences to connect across communities.
Unlocking the APAC Market: What's Selling, What's Getting Funded, and How Projects Move Forward
- EXNW Stage (map)
- Google Calendar ICS
As the APAC screen sector becomes increasingly competitive and financially complex, success now depends on navigating fragmented financing systems, evolving incentives, and cross-border collaboration at scale. This session brings together senior leaders in production, financing, and international dealmaking to examine how projects are actually structured, funded, and moved forward across the region. The discussion will explore what content is being greenlit in a profitability-driven streaming environment, how shifting platform strategies are reshaping commissioning, and how producers can work across diverse regulatory and funding landscapes. It will also address where co-productions succeed or fail, how market access is secured, and what it takes to build sustainable partnerships across Asia-Pacific. Attendees will gain practical insight into financing strategies, deal structures, and pathways to get projects from development to distribution in one of the world’s most dynamic screen markets.
VP, Head of Distribution, KC Global Media Asia LLC
Bonnie is responsible for securing new partnerships and leading key account negotiations for all KC Global Media channels across Southeast Asia excluding Indonesia, and Pacific Islands, to expand the brand’s presence and create new revenue streams. In addition to affiliate sales, Bonnie oversees the pre-selling of scripted content to various platforms and investors, and scouting for co-production opportunities with production houses and platforms across the region. Indonesia-born Bonnie started her media and entertainment career at Ying Group Pte Ltd. She was part of the film distribution team at The Lippo Group, under the Cinepolis Chain based in Jakarta, handling content acquisitions, marketing, and distribution. Prior to joining KC Global Media, Bonnie handled Affiliate Sales and Content Distribution for WarnerBros Discovery. There, she was responsible for the distribution and renewal of CNN, HBO and Cartoon Network with major broadcasting partners including such as Astro, Telkomsel, Mola TV, MNC Vision, First Media, Singtel, and Starhub.
Co-founder & Producer, Third Culture Content
Janice Chua is a global film and TV producer who serves as co-founder of Third Culture Content. Chua was the vice president of the International Division at Imagine Entertainment, where she managed the development and production of local language content in international territories, including Taiwan Crime Stories, which was nominated for twelve awards in Taiwan's Golden Bell and two awards in Busan's Asia Contents Awards and Global OTT Awards. Prior to that, Chua was Vice President of Development and Production Asia at Ivanhoe Pictures, where she developed and packaged Chinese-language projects for China and Southeast Asia. Chua also served as one of the producers of Crazy Rich Asians. Born and raised in Singapore, Chua started her career in China as an international film sales manager. She then became Director of International at Beijing Galloping Horse, overseeing international business and co-productions such as John Woo's The Crossing.
Producer, Kanvas Creations Co. Ltd
Jessica Kam-Engle is a seasoned TV/film producer. She is founder of the pan-Asia production company Kanvas Creations, and has recently helped launch CreAsia Studio for Banijay Group as their production arm in SE Asia. Previously, she was Head of Content and Development for Disney+ APAC, and Head of Original Production for HBO Asia. In 2008-16, she was a film producer in Beijing/Hong Kong and produced 10 feature films including critically acclaimed The Piano in a Factory. She also had stints at Celestial Pictures, MTV Asia, MGM Gold Network and Dow Jones Newswires.
Manager, CJ ENM
Currently, KayLynn is CJ CJM Music Global Business Manager focused on global business development, localizing show formats for the West (North/South America, MENA, Europe), and designing new entertainment projects for linear channels and OTT platforms. Previously she was CJ ENM Senior Associate Producer in New Business Development and IP production, leading large-scale entertainment formats including PRODUCE 101 JAPAN. Contributed to launching and positioning artist groups such as JO1, INI, and ME:I, each achieving consistent million-unit sales and strong commercial success across domestic and international markets.
Moderated by:
CEO/Founder, The Collectiv Digital Entertainment Ltd.
Tinnie Chow is Founder and CEO of The Collectiv Digital Entertainment, leading PLAY IT FORWARD, a digital-first distribution and audience development initiative focused on exporting Canadian BIPOC films to global audiences. With over 20 years of experience across television, film, journalism, and digital media, she has held leadership roles at MTV, CBC, META working in the intersection between broadcast, digital, social media and technology. Tinnie led the launch of MTV Chi and MTV K, the first channels dedicated to Asian Americans, and served as Director of Programming for MTV China in Beijing. She is now based in Vancouver and championing diverse storytelling for Canadian filmmakers under the Play it Forward initiative, supported by Telefilm.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
The Canadian Independent Screen Fund for BPOC Creators (CISF) is Canada's only national fund dedicated to supporting Black and racialized creators by filling strategic gaps in the funding ecosystem and helping production companies build capacity, scale their operations, and access new market opportunities.
Lightning Talk 3 - Cultural Policy Hub at OCAD U
- EXNW Stage (map)
- Google Calendar ICS
Miriam Kramer, Executive Director of Government Relations and Public Policy at OCAD University, offers a dynamic snapshot of the Cultural Policy Hub at OCAD U, a national network dedicated to shaping Canada’s cultural policy landscape. Touching on inclusive cultural policy development, international collaboration, and creative sector resilience, this lightning talk will highlight the Hub’s growing impact and the initiatives positioning it as a national leader for cultural innovation.
Executive Director, Government Relations & Public Policy, OCAD University
Miriam Kramer is Executive Director of Government Relations and Public Policy at OCAD University, where she also oversees the Cultural Policy Hub. With over 25 years’ experience across Canada and the U.S., she leads initiatives at the intersection of culture, technology, and public policy, advancing creative industries, AI policy, and international cultural collaboration. Miriam is a recognized sector connector, working with governments, funders, and global partners to strengthen Canada’s cultural policy ecosystem.
The Cultural Policy Hub at OCAD University is a national, bilingual network of researchers, policymakers, artists, and creators from across Canada’s academic, government, non-profit, and private spheres. Through policy research, convening, and analysis, we support cultural policymaking from the local to the national levels. We are an independent, objective partner in the development of cultural policy, and in public policy issues to which the cultural sector contributes.
The Fandom Economy: How Audiences Become Communities and Communities Become Cultural Power
- EXNW Stage (map)
- Google Calendar ICS
Fandom has become one of the most powerful forces shaping what gets made, discovered, and sustained in global entertainment. But can fandom be intentionally built, or does it emerge from the unpredictable intersection of story, timing, community, and culture? Bringing together leaders from entertainment, technology, media, and digital communities, this panel explores how modern fandom forms, scales, and creates lasting cultural and commercial value. The discussion explores what transforms audiences into passionate communities, examining the roles of storytelling, identity, participation, and shared experiences in building lasting connections. Speakers will discuss how fandom influences the evolution of intellectual property, inspires user-generated content and community engagement, and creates enduring cultural impact that extends far beyond the original work. Attendees will gain practical insights into fostering authentic fan communities that strengthen brands, sustain franchises, and build long-term value.
President/Founder, DFSB Kollective
Founder of Korea’s 1st independent music artist & label services agency • Chief Representative of one of the first and foremost Korean music exporters to top international DSPs (Digital Service Providers) such as Apple Music, Spotify, YouTube Music, Amazon Music, Deezer, TIDAL, Tencent Music Entertainment, NetEase Cloud Music, TikTok, Meta, and more • Executive Producer of Korean music showcases and Featured Speaker on Korean music trends at top international music industry conferences in North America (SXSW), Asia-Pacific (Music Matters), and Europe (MIDEM) • Special Project Consultant for international advertising/PR agencies (RGA/Octagon/MSL Group), video game developers (Ubisoft/Riot Games/Rockstar Games), and movie/documentary production studios (A24/YouTube Originals/Vice Media/Sony Pictures Animation) • Frequent Media Analyst of Korean pop culture industry trends for international/local TV, radio, magazine, and newspaper outlets • MusicTech Mentor at SparkLabs startup accelerator • Former Creative Planner, TV Producer/Presenter, and Head of Digital Media Production at MTV Korea • Dartmouth College (BA Government/Asian Studies) • Vancouver Film School (Foundation Film Program).
CEO of Crave Global Inc.; EVP & Business Head, CreAsia Studio, a Banijay company
Charles Kim is the Founder and CEO of Crave Global, the first end-to-end platform built to convert Western celebrity influence into transactional revenue across China and the broader Asian market. He has spent more than two decades structuring cross-border capital and partnerships between the United States and Asia, with over 100 syndicated transactions across Korea, Japan, and China. His expertise spans asset finance, project finance, private equity, M&A, capital markets, and sales and trading, with strength in special situations that demand creative deal structuring. He is known for negotiating, establishing, and scaling international joint ventures in emerging markets, supported by an extensive network of banks and institutional investors across Asia.
CEO, Infinitize
Jenny is the Founder and CEO of Infinitize and a leading expert in fandom-driven marketing, recognized for energizing massive global communities across K-pop, anime, webtoon, gaming, and other passion-led verticals. Her award-winning work includes setting the Guinness World Records title for the “Most Used Hashtag on Twitter/X in 24 Hours.
For more than a decade, Jenny and her team have helped brands and creators reach tens of millions of fans by unleashing the power of fandom through bold creative campaigns and community-first experiences, generating hundreds of millions of organic views on TikTok. This year, she also co-founded Vendetta, Infinitize’s gaming-focused spin-off, extending her expertise in entertainment, community-building, and digital storytelling into a new frontier.
Co-Founder, Wong Fu Productions
Wesley Chan is a Chinese American filmmaker, creative director, and cofounder of Wong Fu Productions– a digital production company internationally renowned for over 20 years of authentic storytelling. His work with Wong Fu includes hundreds of short films/sketches, award-winning original series, and their first feature film, Everything Before Us. Beyond Wong Fu, Wesley's creative voice continues to grow but always maintains the unique perspective from his modern Asian American experience. Wesley is currently exploring his own independent creative endeavors across various interests like filmmaking, design, and graphic arts.
Moderated by:
Director, Strategic Planning, Original Programming, Bell Media Inc.
Li Yeh is Director of Strategic Planning for English-language original programming at Bell Media, bringing more than two decades of experience across business affairs, rights strategy, and content development in the Canadian television industry.
Since joining Bell Media in 2005, Li was a Senior Specialist, Business and Legal Affairs, and also was Head of Business Affairs, overseeing business affairs at Bell Media Studios. Working closely with senior leadership, Li currently leads business and content rights strategy across development and independent productions, to support Bell Media’s strategic programming priorities and partnerships.
Bell Media Original titles supported by Li’s team include Shoresy, The Traitors Canada, Sullivan’s Crossing, Late Bloomer, The Office Movers, Canada’s Drag Race, and Heated Rivalry.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Creative BC is an independent non-profit society created and supported by the Province to sustain and help grow British Columbia’s creative sector, comprised of five distinct industries: motion picture, interactive digital media, music and sound recording, and both book and magazine publishing. The organization acts as an economic development agency with programs and services that expand B.C.’s creative economy, including: home of the BC Film Commission; administrator of provincial motion picture tax credit programs; administrator of funding programs; and provider of strategic business attraction, export, and research in support of the sector.
From Game Worlds to Global IP: Building Franchises Across Games, Film, and Media
- Gold Stage (map)
- Google Calendar ICS
How does a game evolve from a creative idea into a global franchise that spans platforms, audiences, and industries? This panel brings together perspectives from an independent developer, a publishing and marketing partner, a global entertainment brand, and a live-service ecosystem leader to explore how modern games have become evolving worlds rather than static products. The discussion follows the full lifecycle of a game - from early concept and audience discovery to global launch, scaling, and long-term franchise development. It also examines how ongoing content updates, player communities, and real-time feedback loops are reshaping game design and engagement. Beyond launch success, the panel explores what transforms games into sustainable intellectual property, including marketing, localization, talent partnerships, and cross-media expansion into film and television. Together, the speakers unpack how gaming has become a blueprint for building participatory, continuously evolving entertainment ecosystems in a globally connected marketplace.
Director of Business Development and Partner Licensing, tinyBuild Games
With over a decade in Film/TV and licensing, at tinyBuild Corey is responsible for executing cross media, licensing and new gaming partnerships for all new and existing company IP.
Head of Production / Assistant Professor, Buffalo Buffalo Labs / Centre for Digital Media
Jaclynn is a Senior Producer and Project Manager with a proven 7-year track record in indie and AAA games, XR entertainment, and interactive digital media. At Buffalo Buffalo, she oversees production across prototyping, development, and post-launch, with game titles including Fresh Tracks, Birdseed VR, and Re:Rite. She previously managed game co-development projects at Sprung Studios, earning credits on Minecraft and Borderlands 4. Jaclynn currently also teaches Production and Transmedia courses at the Centre for Digital Media (CDM). She holds a Master's in Digital Media from the CDM.
Senior Producer, Electronic Arts
Senior Producer at Electronic Arts with 10 years of experience on marketing and production across franchises such as FIFA, FC, NHL, UFC, F1, Skate and Star Wars.
Community Managerr, Digital Extremes
Zi bridges game development and creator culture between China and North America.
As Community Manager at Warframe, she manages the official creator program and community engagement for millions of players across regions.
Previously, she led influencer campaigns for major publishers including NetEase (Marvel Rivals), Tencent, and miHoYo, specializing in creator partnerships and translating cross-cultural communication into strategic advantage.
Moderated by:
Actor, Producer, Gamer
Osric Chau is an actor, producer, and gamer whose creative work is shaped by curiosity, collaboration, and a deep love of storytelling. A lifelong player of games like Final Fantasy Tactics, Stardew Valley, and Dota, he sees gaming as more than entertainment. It is a lens for how he approaches strategy, community, problem-solving, worldbuilding, and the many ways people connect through shared experiences.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
Lightning Talk 2 - CISF Connects Program Presentation
- EXNW Stage (map)
- Google Calendar ICS
Lalita Krishna will present CISF Connect, the Canadian Independent Screen Fund's national audience engagement initiative. The program combines strategic marketing support with community-based Film Engagement Specialists who connect Canadian films with local audiences through partnerships and screenings. CISF Connect strengthens discoverability, audience development, and long-term engagement with Canadian screen stories.
Chair, CISF for BPOC Creators
Lalita is an award-winning documentary producer and long-time advocate for equity and representation in the screen sector. Her films have screened internationally and sparked important conversations around social change. She serves as Chair of the Canadian Independent Screen Fund for BPOC Creators, supporting high-impact programs that address gaps in the funding ecosystem. Lalita has received numerous awards for both her productions and her commitment to mentoring and supporting the next generation of diverse Canadian storytellers.
The Canadian Independent Screen Fund for BPOC Creators (CISF) is Canada's only national fund dedicated to supporting Black and racialized creators by filling strategic gaps in the funding ecosystem and helping production companies build capacity, scale their operations, and access new market opportunities.
SPECIAL PRESENTATION: Fireside Chat with Jasmeet Raina of LATE BLOOMER
- EXNW Stage (map)
- Google Calendar ICS
Join Jasmeet Raina for an intimate fireside chat on his journey from digital creator to actor to showrunner and storyteller across platforms. From building a loyal audience online to creating premium television, Jasmeet will share insights on audience building, creative ownership, authenticity, and navigating an industry where the lines between social media, streaming, and traditional media continue to blur. This conversation explores the evolving creator economy and what it takes to build a sustainable creative career while staying true to your voice and community. A must-attend session for creators, producers, executives, and emerging storytellers alike.
Creator/ Director, NERA
Jasmeet Raina is a writer, director, actor, comedian, and producer based in Toronto, Canada. After nearly a decade of creating sketch and character-driven comedy on YouTube, where he amassed millions of views, Jasmeet built a loyal audience through stories inspired by the idiosyncrasies of the South Asian community and his upbringing as a first-generation South Asian Canadian. A graduate of the Sundance Institute | YouTube Creator's Intensive (2016), he has long been passionate about expanding beyond digital content to tell grounded, character-driven stories that place underrepresented voices at the center of their narratives.
In 2024, Jasmeet made his television creator debut with the critically acclaimed comedy series Late Bloomer, serving as creator, co-showrunner, writer, director, executive producer, and lead actor. He received the 2025 Canadian Screen Award for Best Comedy Script for the pilot episode, Nudes. The series returned for a third season in 2026, further cementing Late Bloomer as one of Canada's most celebrated comedy series and expanding its international reach through distribution in India and Australia.
Moderated by:
Journalist
Jeevan Sangha is a culture writer, editor, and freelance journalist born and raised in Surrey, BC. She explores the intersection of media, politics, and culture—with a specific passion for covering the Punjabi-Canadian experience. Jeevan is currently a senior editor at Shado Magazine, and you can find her words in national publications including CBC Music, Billboard Canada, The Tyee and more.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
Ontario Creates is an agency of the provincial government whose mandate is to be a catalyst for economic development, investment and collaboration in the film, television, music, book, magazine, and interactive digital media sectors, both domestically and internationally. Ontario Creates supports the film and television industries through a variety of programs, events, and funds. The Agency also administers tax credits on behalf of the provincial government: Ontario Production Services Tax Credit (OPSTC); Ontario Film and Television Tax Credit (OFTTC); and the Ontario Computer Animation and special Effects Tax Credit (OCASE).
Lightning Talk 1 - RESO - Vision, Programs and Path Forward
- EXNW Stage (map)
- Google Calendar ICS
Over the past five years, the Racial Equity Screen Office (RESO) has expanded on the 30 years of foundational work by the Vancouver Asian Film Festival (VAFF) to elevate racialized creatives through mentorship, industry programs, market access, and export opportunities in Asia Pacific. This snapshot highlights the work RESO does year round and welcomes collaboration to create greater export opportunities across Asia Pacific and beyond.
RESO Founder & Board Chair & EXNW Creator
Has dedicated almost 30 years to advocating for and building ecosystems that expand opportunities for Canadian Asian and racialized artists in the screen industry.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Opening Remarks, Territorial Acknowledgement, and Government & Industry Welcome
- EXNW Stage (map)
- Google Calendar ICS
Good Morning
The Racial Equity Screen Office (RESO) is grateful to be working and gathering on the Unceded xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ílwətaʔɬ (Tsleil-Waututh) territory also known as Vancouver. We are fortunate to have Larry Grant from the Musqueam Nation here to provide an Indigenous Welcome and Blessing to officially open East by Northwest Global Summit.
Land Acknowledgement, Welcome and Opening Remarks
RESO Founder & Board Chair & EXNW Creator
Has dedicated almost 30 years to advocating for and building ecosystems that expand opportunities for Canadian Asian and racialized artists in the screen industry.
Actress, Director, Writer, & Teaching Artist
Marion Jacobs is an Actress, Director, Writer and Teaching Artist who is proud to be Skwxwú7mesh (Squamish), Snuneymuxw (Nanaimo) and Bahamian. She has a degree in performing arts acting from the American Musical and Dramatic Academy (AMDA) and graduated with honors. Credits include Gloria: A life (Strawberry Theatre), Tiaras Hat Parade (Book-It Repertoire Theatre), Keepers of the Salish Sea (Holy Crow) and Wolf Cull (Longhouse Theatre/Urban Ink). You can catch Marion in the Crave Original series Don’t Even.
Government & Industry Welcome
EVP, Content and Industry Development Strategy, Canada Media Fund
Nathalie Clermont has been working in the film, television and digital media industry for more than twenty-five years, with extensive experience in policy development and financing. Since joining the organization in 2007, she has been a key advisor on CMF policies and programs. She also ensures consistency in service standards and application processes for all CMF programs, with a focus on developing alternative funding partnerships to leverage CMF investments.
Prior to joining the CMF in March 2007 as Director of Program Management, Nathalie spent 15 years at the Société de développement des entreprises culturelles (SODEC), where she was the team leader of the Business Affairs Unit, which was responsible for equity investment programs in cinema and television. Nathalie holds a B.A. in Film, Communications, and Public Relations from the Université de Montréal.
VP, Creative BC
Robert markets British Columbia internationally as a destination of choice for projects and companies seeking a world class creative industries centre in which to do business. In his role, he leads the administration of Creative BC’s tax credit and granting programs, balancing attraction of international business with support for BC’s domestic content creators.
Senator, Canada
The Honourable Yuen Pau Woo was appointed to the Senate of Canada in 2016, representing British Columbia. He is Joint Chair of the Standing Committee on Scrutiny of Regulations and a member of the Foreign Affairs, Trade and Development Committee. He was previously President and CEO of the Asia Pacific Foundation of Canada.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
EXNW is supported, in part, by a contribution from Global Affairs Canada’s CanExport Associations program.
Founded in 1967, Telefilm Canada is a Crown corporation that invests in the development, production, promotion and distribution of the Canadian and Indigenous audiovisual industry. As the largest investor in Canadian cinema, Telefilm supports the economic power and cultural impact of the audiovisual sector in collaboration with industry players. Additionally, Telefilm provides recommendations to the Department of Canadian Heritage regarding the certification of treaty-based audiovisual co-productions, and administers programs of the Canada Media Fund. Visit telefilm.ca and follow us on LinkedIn, Facebook, Instagram and Letterboxd.
Creative BC is an independent non-profit society created and supported by the Province to sustain and help grow British Columbia’s creative sector, comprised of five distinct industries: motion picture, interactive digital media, music and sound recording, and both book and magazine publishing. The organization acts as an economic development agency with programs and services that expand B.C.’s creative economy, including: home of the BC Film Commission; administrator of provincial motion picture tax credit programs; administrator of funding programs; and provider of strategic business attraction, export, and research in support of the sector.
Supported by the Government of Canada and Canada’s cable, satellite, and IPTV distributors, the Canada Media Fund (CMF) is a not-for-profit organization that invests in Canadian creators and companies to tell stories that reflect and connect us all. We fund audiovisual and interactive digital media content—across all platforms—that builds a stronger cultural identity at home and on the world stage. The CMF puts stories front and centre, opening pathways to domestic and global markets and promoting a screen-based sector that is more resilient, more inclusive, and fuelled for growth. Visit our website to learn more about what we do: https://cmf-fmc.ca/
Inspirit Foundation is a Canadian public foundation that invests in narrative change to build a more inclusive and pluralist Canada. Through philanthropy, impact investing, and partnerships, Inspirit supports initiatives that strengthen civic life, expand representation, and shift power to communities.
EXNW Registration Opens
- Grand Foyer (map)
- Google Calendar ICS
Pick up your name badges here!
RESO Founder & Board Chair & EXNW Creator
Bio +
Has dedicated almost 30 years to advocating for and building ecosystems that expand opportunities for Canadian Asian and racialized artists in the screen industry.